Rooted in an exploration of memory and displacement, her practice interrogates the ways in which we anchor ourselves to place, challenging the illusion of stability in a world increasingly mediated by digital abstractions. The symbols in the works aligns with the ethos of cybercigilism—a form of resistance that subverts established hierarchies of perception through digital, mechanical, or conceptual disruptions. By recalling doors and chairs not as fixed objects but as fluid recollections, she dissolves their predetermined functions, severing them from their utilitarian logic.